Solutions

Theatre and live events

A stage manager calling the show, crew around the building, and a house talkback system already in the rack.

ONCommsON Comms Server, on aMac or PC in thebuildingForwards, never mixesAES-256-GCMStage managerA priority line, in a browser orthe desktop appCrewPhones, on the venue Wi-FiFront of houseA phone, or a browser at the deskHouse talkbackThrough an audio interface orDanteShow relayA desk feed into a listen-onlylineStream DeckThrough Bitfocus Companion
  1. Stage managerA priority line, in a browser or the desktop appTalkback both ways
  2. CrewPhones, on the venue Wi-FiTalkback both ways
  3. Front of houseA phone, or a browser at the deskTalkback both ways
  4. ON CommsON Comms Server, on a Mac or PC in the buildingForwards, never mixes; AES-256-GCM
  5. House talkbackThrough an audio interface or DanteTalkback both ways
  6. Show relayA desk feed into a listen-only lineTalkback into ON Comms
  7. Stream DeckThrough Bitfocus CompanionPush-to-talk keys into ON Comms
TalkbackPush-to-talk keys

What goes wrong, and what ON Comms does

  • Beltpacks and cable runs don’t reach everywhere.

    Crew use the phones they carry, on the venue’s Wi-Fi. ON Comms Server runs the whole system on one Mac or PC in the building, and needs no internet.

  • The stage manager has to cut through.

    Make the calling line a priority: while the stage manager talks, every other line ducks by 6, 12 or 20 dB, or goes silent.

  • The house talkback system stays.

    Connect any line to it through an audio interface, or Dante Virtual Soundcard on a Mac, with its own gain each way.

54 ms

from the stage manager pressing a priority line to the other lines ducking. Measured by our end-to-end tests.

How it all fits together: How it works. What it runs on: the spec sheet.

Try it before the tech.

We’ll walk your production manager through ON Comms Server in a building like yours — the Wi-Fi, the house system, the calling line.