Facilities and remote production
A gallery in one building, the crew at the venue, producers at home — all on the same talkback.
- The galleryDirector and producers, in a browserTalkback both ways
- Crew at the venuePhones, on any networkTalkback both ways; camera tally from ON Comms
- Producers at homeThe Mac and Windows clientTalkback both ways
- ON CommsA cloud site, reached from anywhereForwards, never mixes; AES-256-GCM
- Desk or DanteThrough ON Comms Bridge on a Mac or PCTalkback both ways
- Vision mixerATEM, vMix or TSL, through ON Comms TallyCamera tally into ON Comms
- Stream DecksThrough Bitfocus CompanionPush-to-talk keys into ON Comms
What goes wrong, and what ON Comms does
The crew and the gallery are rarely in the same building.
A cloud site needs nothing installed at the venue: crew connect out from any network, and producers from home in the Mac or Windows client.
Every show is wired differently.
Groups, lines and who talks on what are set in Admin, in a browser, and change live — nobody rejoins. Save a show’s setup to a file and restore it for the next one.
The gallery’s desk and Dante network have to stay in the loop.
Put any line on a desk or Dante channel with ON Comms Bridge: a device, then a pair or a single channel, each way, with its own gain.
AES-256-GCM
on every connection that can do it — and every panel shows the cipher its own connection negotiated. Read from each connection, through the cloud.
How it all fits together: How it works. What it runs on: the spec sheet.
See it in your gallery.
We’ll walk your engineers through a site set up like your own — groups, lines, desk and tally.